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Audience 8.2/8.6 - The recording starts out borderline, probably due to taper position…but hang in there because midway through the 4th song it improves and becomes a more interesting document because of it, First of all, it’s literally Bob Seger in the peak of his powers with a handful of chart toppers to display proudly. Normally that would not move me, but Bob Seger is old school, he delivers the goods even if his songs are considered “mainstream”, I mean, its good rock and roll no matter what. I love this document for many reasons. Bob Seger Hippodrome de Pantin Paris, France 10-3-77 01 Nutbush City Limits 02 Rock and Roll Never Forgets 03 Travelin Man > 04 Beautiful Loser 05 Turn the Page 06 Get Out of Denver 07 Main street 08 Mary Lou 09 Fire Down Below 10 Sunburst 11 Ramblin Gamblin Man > 12 Heavy Music > 13 Katmandu 14 Night Moves 15 Let it Rock -
Audience 8.8 - This is a tape that does improve as it goes ultimately coming to a comfortable place, and one might say it is warm and well balanced. When I hear this I can better appreciate this period of the band, when they were experimenting with their music trying to find a place in the changing world of FM radio and top 40. Does that make it bad? I used to shake my head, but now I understand it, and I find that what they were doing was NEEDED in order to prevent ALL music from that time period sucking so much. YES Civic Center Portland ME USA 02.09.1980 CD 1 (73:20): 01 Does It Really Happen? 02 Yours Is No Disgrace 03 Into The Lens 04 The Clap 05 And You And I 06 Go Through This 07 Man In A White Car Suite 08 We Can Fly From Here 09 Tempus Fugit 10 Amazing Grace - Whitefish CD 2 (77:25): 01 Machine Messiah 02 Starship Trooper 03 Roundabout 04 Can You Imagine?* 05 Telephone Secrets* 06 Mind Drive* 07 Fortune Hunter* 08 You Don't Know+ 09 Make It Easy+ 10 Open Your Box+ * tracks: XYZ session feat. Chris Squire, Alan White & Jimmy Page, april 1981 + tracks: Cinema rehearsals, 1982 -
FM Broadcast 8.9 - This recording was done from the radio broadcast even though most people think it is from the reels (it is from a reel to reel, but a recording made from the broadcast). However, once the live over the air sound mix is sorted out, it becomes pretty darn good and even if the tape has some signs of age, it’s a great document and well worth getting. Yes Madison Square Garden NYC, NY Sept. 6, 1980 Steve Howe, Chris Squire, Alan White, Geoff Downes, Trevor Horn cd1 51:30 01. Yours Is No Disgrace 5:01 02. Into The Lens 8:23 03. Clap 4:26 04. And You & I 10:08 05. Go Through This 4:27 06. Man In A White Car 6:17 07. We Can Fly From Here 6:44 08. Tempus Fugit 5:49 09. The Fish (11 seconds) 0:11 cd2 43:21 01 Machine Messiah (Mono) 11:24 02 Starship Trooper 11:55 03 Roundabout 7:42 Bonus: 04 - We Can Fly From Here Studio-Demo - 5:56 05 - We Can Fly From Here 6:23 1980-04-18 (later mix 1980-04-18) -
Audience 9.2 - A recording that does more than merely capture a live concert on tape, it captures the dynamics and palpable vibe of the event. This is lovely stuff, with the band delivering stunning readings of majestic progressive rock numbers like Sound Chaser and Close To The Edge. To be honest, sometimes the overly jazzy keyboards of Moraz do conflict with the style and sound of the band but mostly he is able to provide the correct sounds during the key parts. Yes Hollywood Bowl Los Angeles, CA June 21, 1975 Disc 1 01 Firebird Suite 02 Sound Chaser 03 Close To The Edge 04 To Be Over 05 The Gates Of Delirium Disc 2 06 Your Move 07 Mood For A Day 08 Long Distance Runaround 09 Patrick Moraz Solo 10 Clap 11 And You And I 12 Ritual 13 Roundabout 14 Sweet Dreams -
Audience 9.1 - A recording that delivers everything that you want, especially the guitar tone which is simply glorious. You would be forgiven if you thought “hey am I listening to the Stones right now?” but remember, it was The Stones that sounded like Mick Taylor not the other way around! Great stuff! Mick Taylor with the Jimmy Woods Band 11th Annual Adams Avenue Street Fair, San Diego, CA September 19, 1992 Band members: Mick Taylor : guitar, vocals Jimmy Wood : vocals, harmonica, guitar Jimmy King : guitar, backing vocals Greg Boaz : bass, backing vocals David Salinas : drums Disc 1 01 introduction 02 Badmouth Momma 03 Hoodoo Thing 04 How It Feels 05 You Shook Me Disc 2 06 Shake Your Hips 07 You Don't Miss Your Water 08 You Gotta Move 09 Band Intros 10 Cairo Motel Total Time = 01:32:13 -
Audience 8.3 - Both shows recorded by same taper so sound quality consistent throughout. This is another one of those “right in the middle of the action” tapes, where literally you sense the surroundings, and settle yourself in to what will be a wild night of rock and roll music. Quality is decent, without too much in the way of dynamics, but also this is not a muddy, crappy recording, it’s just not showcasing a wide range of tones. What you do get is a total immersion, and a very real sense of the electricity in the air (and in the excitable crowd). FOGHAT Music Hall Boston MA. May 3rd 1973 THE BAND Dave Peverett rhythm guitar vocals Rod Price lead guitar slide guitar Tony Stevens bass Roger Earl drums Disc 1 1 -Intro 2 -Road Fever 3 -What A Shame 4 -Shes Gone 5 -Leaving Again (Again) 6 -I Just Want To Make Love To You 7 -Who Do You Love 8 -Lousiana Blues JOHNNY WINTER Music Hall Boston MA. May 3rd 1973 THE BAND Johnny Winter guitar vocals Randy Jo Hobbs bass Richard Hughes drums Disc 2 1 -Tune Up - Intro 2 -Rock Me Baby 3 -Can't You Feel It 4 -Rock And Roll Hoochie Coo 5 -Great Balls Of Fire 6 -Long Tall Sally 7 -Black Cat Bone Disc 3 8 -Jumpin` Jack Flash 9 -Let It Bleed 10 -Everyday I Have The Blues 11 -Back Door Friend -
Excellent Soundboard recording of a highly regarded Texas rock group prominent in the mid '70's. They played an original, hybrid progressive, upbeat hard rock along with more Austin, Texas flavored "Tex-Mex" Southern infused rock and roll...like I said a hybrid style. Unfortunately it did not take hold anywhere outside of Austin, so it remained undiscovered but certainly in Texas the name is extremely well respected as it should be. Well worth discovering for yourself! -
Radio Broadcast & Audience 8.8/8.5 - The radio material sounds its age but is a fine document in good enough shape to give you a deeper appreciation for this hugely influential band. The audience material is from a small club, and therefore does not suffer stadium sound problems meaning you can hear everyone pretty solid especially the guitar which is great. I am happy to be able to hear these recordings knowing a little background on the band and how they forged their own path in the music industry. A bit of ancient historical importance on the 1974 show, Judas Priest opened and come on at the end to jam with Budgie making it the first recorded appearance of Judas Priest on tape! Budgie 1972-10-10 Paris Theater London UK Burke Shelley - bass, vocals Ray Phillips - drums Tony Bourge - guitar Disc 1 1. -Talk 2. -Rape of the Locks 3. -Talk (includes station announce) 4. -Rocking Man 5. -Talk 6. -Hot As a Docker's Armpit 1974-02-11 Marquee London line-up: Burke Shelley Tony Bourge Pete Boot 7. Intro 8. Breadfan 9. Hammer And Tongs (early version) 10. You're The Biggest Thing Since Powdered Milk 11. Parents Disc 2 1. Zoom Club 2. Running From My Soul 4. The Stumble (instrumental version) 5. Running From My Soul (reprise, jam with Judas Priest) -
Audience 8.8 - Easily one of the best audience recordings of the tour. Very close to the main P.A. system on Tony’s side of the stage, this puts Ozzy a little in the background but not so much he cannot be heard reasonably well. It’s just, well, it’s the sheer POWER on display by the band that makes this one so special and that the recording manages to deliver that without glaring problems (and in 1973, wow!) is a miracle. Black Sabbath 1973.02.21, Palazzo delle Esposizioni E.I.B., Brescia, Italy 01. Tomorrow's Dream 02. Sweet Leaf 03. War Pigs 04. Snowblind 05. Killing Yourself to Live 06. Wicked World 07. Orchid>Guitar solo 08. Orchid 09. Guitar solo 10. Rock Jam 11. Blues Jam 12. Wicked World reprise 13. Embryo 14. Children Of The Grave 15. Paranoid -
Audience 8.8 - This is the good stuff, seriously good I mean. What you are getting in this one is a band really unstoppable, with a monstrous hit in Frankenstein that the audience is going nuts for and for good reason – a penultimate version that will leave you completely floored. Very strong recording puts you in the action with a front row seat. I love it! EDGAR WINTER WITH RICK DERRINGER BOSTON MUSIC HALL BOSTON, MA SEPTEMBER 10, 1974 THE BAND Rick Derringer guitar vocals Dan Hartman bass vocals Chuck Ruff drums Edgar Winter Clavinet Mellotron organ piano synthesizer vibraphone saxophone vocals SET LIST CD 1 1 -JUST PLAYING THAT ROCK AND ROLL 2 -JUST AROUND THE BAND 3 -HANGING AROUND 4 -MAKE IT FUNKY 5 -WE'RE GONNA GET TOGETHER 6 -UNCOMPLICATED 7 -EAST STREET 8 -FREE RIDE CD 2 1 -ROCK AND ROLL HOOCHIE COO 2 -TEENAGE LOVE AFFAIR 3 -FRANKENSTEIN 4 -UNDERCOVER MAN 5 -DO LIKE ME -
Audience 8.4 - This tape was made by a very sincere taper, you can clearly tell the person tried very hard to make it work. I think, if I had to guess, the problem was not him, it was more than likely improper microphone type and simple passage of time, because this is a clear and strong tape that falls a little short in some aspects making it a little above average where it could have been amazing. The tape struggles through The Lamia, where you get the effects of age and degradation. The audio quality suffers a little bit because of distance, and that robs some dynamics and clarity, but here’s the thing: The equipment was good quality and that comes through as you do get a certain realism, a sense of the venue and atmosphere that the open mic captures. The stereo field on this tape is pretty wide, so my guess is that microphones were hoisted above the audience somewhere middle of the arena. I think I like this tape in some regards, and I definitely do not consider it rubbish and neither will you. One last thought – I found this recording did slowly improve as the show progressed, perhaps dipping a bit at the end of disc one but not catastrophically. Genesis Palace Theater Providence, RI December 8th, 1974 Disc 1 01 Introduction 1:15 02 The Lamb Lies Down On Broadway 4:59 03 Fly On A Windshield 2:31 04 Broadway Melody Of 1974 2:10 05 Cuckoo Cuckoon 2:14 06 In The Cage 8:01 07 The Grand Parade Of Lifeless Packaging 3:05 08 The Story Of Rael -Part I 2:45 09 Back In N.Y.C. 5:53 10 Hairless Heart 2:24 11 Counting Out Time 3:46 12 Carpet Crawlers 5:38 13 Chamber Of 32 Doors 5:49 Total Time 50:30 Disc 2 01 The Story Of Rael -Part II 3:08 02 Lilywhite Lilith 2:53 03 The Waiting Room 5:48 04 Anyway 3:24 05 Here Comes The Supernatural Anaesthetist 2:27 06 Interlude 1:16 07 The Lamia 7:04 08 Silent Sorrow In Empty Boats 3:28 09 The Colony Of Slippermen 8:34 10 Ravine 1:42 11 The Light Dies Down On Broadway 3:31 12 Riding The Scree 4:26 13 In The Rapids 2:06 14 It 4:53 15 The Story Of Henry And Cynthia 2:33 16 The Musical Box 13:12 17 Watcher Of The Skies 8:17 Total Time 78:52 -
Audience 8.7 - This is a solid effort, it captures a typically rowdy J. Geils party atmosphere without sacrificing the music at all. Taper has good seats, and he manages not to get too bumped around because it sounds like a lot of stuff was being consumed this evening in 1972. A good one to have! J. Geils Band February 13, 1972 University Of Maine, Gorham, Maine SET LIST: 1: SNOW CONE 2: WAIT 3: Find Me A New Love 4: It Ain't What You Do 5: Looking For A Love 6: Homework 7: Pack Fair And Square 8: Cry Me One More Time 9: Whammer Jammer 10: Cruisin' For A Love 11: Serves You Right To Suffer 12: First I Look At The Purse 13: I Don't Need Women -
Audience 8.4 - A middle of the road stadium recording that is quite clear but not very close. That being said, I found much to appreciate from this one – namely the curious line-up at this time. Tony Martin singing, ok, he is decent enough and certainly professional caliber but to me, this just is not Black Sabbath. It’s a really badass metal band with Tony Iommi on guitar. This recording does allow you to really hear both Tony’s pretty loud and clear. BLACK SABBATH DATE : 1987/12/10 VENUE : Palasport, Firenze, Italy Disc 1 Supertzar [Intro] Neon Knights Children Of The Sea War Pigs Die Young Drum Solo Iron Man Born To Lose Black Sabbath Disc 2 Glory Ride Heaven and Hell Children Of The Grave The Shining Paranoid The Shining [Reprise] Laguna Sunrise [Outro] RUNNING TIME : ~ 99 minutes LINE-UP : Tony Iommi - Guitar Tony Martin - Vocals Jo Burt - Bass Terry Chimes - Drums Geoff Nicholls - keyboards NOTES : Very good and complete audience recording of the last show of the "Eternal Idol" tour. This was also the last show for the short lived Iommi / Martin / Burt / Chimes / Nicholls line-up, and a great show it was. -
Audience 8.8 - A great atmospheric recording – I think I have figured it out though – so people used to go to concerts and party, with the musician on stage performing just an excuse to be with hundreds of other pot smoking, over-hyped hippies. What I am trying to say is that the audience is a little too into it…in my opinion. Great show though. Artist: Neil Young Date: 1973-03-17 Location: Seattle, WA Venue: Seattle Center Coliseum Source: Audience Band Members: Neil Young - guitar, vocals, harmonica, piano The Stray Gators Ben Keith - pedal steel guitar Jack Nitzsche - piano, vocals Tim Drummond - bass Johny Barbata - drums Setlist: 01. Intro 02. Sugar Mountain 03. Tell Me Why 04. Old Man 05. Heart Of Gold 06. Time Fades Away 07. Band Introduction 08. L.A. 09. Lookout Joe 10. Don't Be Denied 11. Are You Ready For The Country? 12. Last Dance 13. Yonder Stands The Sinner 14. New Mama (very end cut) 15. Southern Man 16. Cinnamon Girl 17. Alabama Length: 100:37 Notes: This is a very good to excellent sounding recording. This recording has been available for years now but this is the first time the master reels have ever been properly digitized. This show captures Neil Young and his backing band The Stray Gators touring in support of his Time Fades Away album. This is a good show but Neil is plagued with guitar problems and spends about a quarter of show tuning his guitar. Also of note David Crosby and Graham Nash join Neil onstage for Old Man. -
Audience 8.7 & Radio Broadcast 9.4 - Both of these are amazing, even the audience tape which is frighteningly intense manages to deliver a wallop. So, let me prepare you best I can, what you know about this band probably comes from their mid to late 70’s FM radio hit singles but my friend this stuff ain’t that…no not by a long shot. This is balls to the wall heavy prog tinged acid rock. There are plenty of moments where you can’t tell where the guitars and keyboards are coming from because they bob and weave almost as one instrument…brilliant! MANFRED MANN'S EARTH BAND 1972-06-19 Volkshaus Zurich, Switzerland Disc 1 1. -PRAYER 2. -CAPTAIN BOBBY STOUT incl.Glorified Magnified 3. -ASHES TO THE WIND 4. -HAPPY BEING ME 5. -QUINN THE ESKIMO (The Mighty Quinn) Disc 2 GOLDERS GREEN HIPPODROME LONDON, ENGLAND NOVEMBER 20, 1973 01. -Introduction 02. -Mercury, The Winged Messenger 03. -Buddha 04. -Messin' 05. -Father Of Day, Father Of Night 06. -Captain Bobby Stout 07. -Mighty Quinn (The Eskimo) Musicians MANNFRED MANN- Organ/Synthesizer/Vocals MICK ROGERS- Guitar/Vocals COLIN PATTENDEN- Bass CHRIS SLADE- Drums/Percussion/Vocals -
Audience 8.7 - A rip-roaring blast of a tape! First thing you are going to think after maybe 1 minute is how dejected Montrose and Journey must have been after following the ascending Van Halen. Man, I felt bad for them and this show happened decades ago! It’s just the sonic equivalent of a shooting star, Eddie is blistering and hits every note with perfection, the bass is detailed and not just a booming thud, drums are OK and DLR is a little behind the band but who cares? The taper did a fine job, some minor hiccups every now and then but thankfully very few to deal with and they don’t last long. I am liking this show and the tape is just fine for its age. A keeper! Van Halen Tower Theater Upper Darby, Pennsylvania March 24, 1978 1. On Fire 2. I’m The One 3. Bass Solo 4. Runnin’ With The Devil 5. Atomic Punk 6. Drum Solo/Little Dreamer 7. Ain’t Talkin’ ‘Bout Love 8. Eruption/Guitar Solo 9. You Really Got Me 10. Ice Cream Man Notes: Van Halen opening for Montrose and Journey as they made their way out of Southern California. The tour opened in Chicago on March 3. This is the first recording from that tour.