• Telluride 1978 FM Broadcast 9.2 - A little hit and miss on the live mix, where sometimes I don’t get some of the background instruments associated with the synth or whatever is happening back there…but I could be wrong about that, I mean it is rather subjective whether I am hearing the mix as the band intended or if I need something personally – no matter, because this is lovely and warm, with just enough audience sound to give you a better representation of the liveness of the recorded gig. I need that, personally, otherwise you might as well just listen to the albums!

    Boston 1978 FM Broadcast 9.7 - A very well preserved recording that features soaring instrumentation in crystal clear quality – highs are sweet and distinct and bass is warm and round. The mid tones are sublime, and your high-end system will love reproducing this recording!

    Pat Metheny Group Telluride & Boston 78 Disc 1 Telluride Jazz Festival Telluride, Colorado August 28, 1978 01. -radio announcer introduction 02. -interview with Pat Metheny 03. -stage introduction - Phase Dance 04. -Unity Village (solo guitar improvisation) - The Windup 05. -The Epic 06. -San Lorenzo 07. -band introductions - Jaco 08. -American Garage 09. -radio announcer closing comments Bottom Line New York City NY September 26th 1978 10. -Lone Jack Disc 2 Paradise Boston, MA October 2nd & 3rd 1978 1 -WCOZ Intro 2 -Phase Dance 3 -April Joy 4 -Unity Village 5 -Solo 6 -The Windup 7 -Wrong Is Right 8 -Jaco 9 -Lakes 10 San Lorenzo 11 -Lone Jack 12 -Thank You Goodnight Pat Metheny: 6 and 12 string guitars Lyle Mays: piano, synthesizers, autoharp Mark Egan: bass Dan Gottlieb: drums

  • FM Broadcast 9.7 - A stellar sound with this over the air broadcast, no signal degradation, no interference, no compression, just smooth jazz sailing all the way.

    Pat Metheny Group Festival International de Jazz De Montréal McGill College Ave. Montréal, Quebec, Canada July 4, 1989 CHOM-FM Broadcast Disc 1 01 Phase Dance  8:06 02 Have You Heard  6:08 03 Every Summer Night  6:57 04 Change Of Heart  7:20 05 Better Days Ahead  5:02 06 Last Train Home  5:11 07 First Circle  8:42 08 Scrap Metal  7:04 09 Slip Away  4:53 10 If I Could  6:19 Disc 2 01 Spring Ain't Here  6:44 02 Straight On Red  8:46 03 Are You Going With Me  8:53 04 The Fields, The Sky  4:17 05 Are We There Yet  9:33 06 (It's Just) Talk  8:15 07 Letter From Home  2:18 08 Beat 70  4:47 09 Minuano (Six-Eight)  9:08 10 Third Wind  9:04 Pat Metheny - Electric & Acoustic Guitars, Electric Sitar, Guitar Synth Lyle Mays - Piano, Keyboards Steve Rodby - Acoustic & Electric Basses Paul Wertico - Drums, Percussion Armando Marçal - Percussion Pedro Aznar - Voice, Miscellaneous Instruments

  • Audience 9.4 - Almost sounds like a radio broadcast, and you’d be forgiven for insisting it is such, but to me it sounds like a good transfer from vinyl of a great audience recording, with some artifacts occasionally (like momentary drop-outs). The track listing on the cover differs slightly from the disc tracking but whatever was recorded by this source is present and accounted for. Other sources exist, and are inferior, so no patching was done to fill out anything missing. Seems like a complete show, maybe one song missing?

    Roger Waters Madison Square Garden New York City, New York 1987-08-26 Disc 1 1. -Introduction - Radio Waves 2. -Welcome To The Machine 3. -Who Needs Information 4. -Money 5. -Professional Bimbo School 6. -Have A Cigar 7. -Pigs (Three Different Ones) 8. -Wish You Were Here 9. -Mother 10. -Molly's Song 11. -Me Or Him 12. -Powers That Be 13. -Shredding Alternative 14. -Going To Live In L.A. Disc 2 1. -Sunset Strip 2. -Fish Report With A Beat 3. -Arnold Layne 4. -If 5. -5:06 AM (Every Strangers Eyes) 6. -Not Now John 7. -Another Brick In The Wall – part 1 8. -Another Brick In The Wall – part 2 9. -Nobody Home 10. -Home 11. -Four Minutes 12. -The Tide Is Turning 13. -Breathe 14. -Brain Damage 15. -Eclipse

  • Gainesville 1978 Soundboard 9.5 - A professional straight board feed recording that is as clean and balanced as you’d ever want – but very occasionally there may be a slight tape drop out (rarely), and the sound is almost too good…meaning it could use some ambience and atmosphere but if you only want to hear this as a musical performance rather than event, this is damn near perfect.

    Cincinnati 1989 Audience 9.7 - A soaring, elegant recording that captures this event in spectacular quality. Guitars seem to float over your head and wrap around your ears as they seem to pan across the room, drums filling the spaces and adding immediacy. When the audience claps and responds it’s as if it is a part of the show how it blends in and seems so respectful. Overall man this is a frighteningly good recording and performance and is pretty much in the “must have” range IMHO.

    Pat Metheny Group 79/89 Disc 1 Spring Jazz Festival Lake Alice Field, University of Florida Gainesville, Florida 1979-03-30 01-Phase Dance (Pat Metheny, Lyle Mays) 7:35 02-Circus Music (Pat Metheny, Lyle Mays) 6:10 03-PM speaks 1:01 04-Unity Village (Pat Metheny) > The Windup (Keith Jarrett) 13:08 05-The Epic (Pat Metheny, Lyle Mays) 14:35 06-Jaco (Pat Metheny) 4:21 07-PM speaks and tuning 0:54 08-San Lorenzo (Pat Metheny, Lyle Mays) 11:08 09-Re-tuning and PM speaks again 1:39 10-Wrong Is Right (Larry Coryell) 7:53 11-American Garage (Pat Metheny, Lyle Mays) 4:43 Pat Metheny, guitars Lyle Mays, piano, synthesizer, electric organ, autoharp Mark Egan, bass guitar Danny Gottlieb, drums Disc 2 Taft Theatre Cincinnati, Ohio September 22, 1989 1. –Phase Dance 2. -Have You Heard? 3. -Every Summer Night 4. -Hermitage 5. -Better Days Ahead 6. -Farmer’s Trust 7. -Spring Ain’t Here 8. -Straight On Red 9. -Are You Going With Me? Disc 3 10. -The Fields, The Sky 11. -Are We There Yet? 12. -Vidala 13. -Slip Away 14. -Letter From Home 15. -Beat 70 16. -Band Introductions 17.  -Minuano (six-eight) Pat Metheny - Guitars Lyle Mays - Keyboards Steve Rodby - Bass Paul Wertico - Drums Pedro Aznar - Voice, Guitar, percussion Armando Marcal - Percussion

  • Audience 9.3 - A really clean, punchy recording that has realistic presence, and is river deep and mountain high – I especially found the drums, kick drum, toms, this was a pleasant surprise for an audience tape to deliver almost studio quality dynamics and placement in the stage mix was on point. Amazing to think that this tape remained out of circulation to only just recently, while we did have other shows from this week at the Hollywood Palace in 1984.

    Frank Zappa The Palace Los Angeles, CA July 17, 1984 Disc 1 01 Tuning and Dialogue 02 Zoot Allures 03 Band Introductions 04 Tinsel Town Rebellion 05 Oh No (includes Son Of Orange County) 06 More Trouble Every Day 07 Penguin In Bondage 08 Hot Plate Heaven At The Green Hotel 09 Dumb All Over 10 Evil Prince Disc 2 11 Carolina Hard-Core Ecstasy 12 Advance Romance 13 He's So Gay 14 Bobby Brown 15 Keep It Greasey 16 Honey, Don't You Want A Man Like Me? 17 Carol, You Fool 18 Chana In De Bushwop 19 Let's Move To Cleveland 20 Why Don't You Like Me?
  • Pro Recording 9.4 - This is actually recorded from the audience, or the pit, or somewhere within the hall with professional equipment possibly for broadcast or posterity but it is obviously not an amateur job. The dynamics and atmosphere are excellent, and to my ears it just seems like the band wanted to record this gig for whatever reason.

    Rick Wakeman November 16, 1981 Guildhall Preston, UK Disc One (70:34) 1) War Games? (10:29) 2) King Arthur Medley (12:10): a) Arthur b) Lancelot and the Black Knight 3) Sea Horses (5:17) 4) Julia (6:11) 5) Three Wives (13:12): a) Catherine of Aragon b) Anne of Cleves c) Catherine Howard 6) The Proles (5:30) 7) Journey to the Center of the Earth - Part 1 (17:45) Disc Two (60:16) 1) Danielle (4:30) 2) The Probe (4:05) 3) Chamber of Horrors (7:03) 4) The Hymn (3:14) 5) Anne Boleyn (29:04) 6) Robot Man (4:57) 7) Journey to the Center of the Earth - Part 2 (7:23) a) The Battle b) Hall of the Mountain King

  • Audience 8.7 - Brassy, loud, and guitar dominant recording that delivers where it counts and finds Rory sounding, to my ears, much more rock/metal/grunge even though he features plenty of raw, blues soaked numbers in his set. It’s just that the atmosphere and volume don’t suggest this is a “blues” band blowing through town…I just get the feeling Rory felt the times changing and adjusted accordingly. Either way you parse it, this is high-intensity music, and the recording here really manages to capture that pretty realistically.

    Rory Gallagher The Stone Palo Alto, California May 17, 1985 Disc One 01 - intro - Double Vision 02 - Bad Penny 03 - band intros - Off The Handle 04 - Moonchild 05 - Hey Mama, Keep Your Big Mouth Shut 06 - I Wonder Who 07 - Tattoo'd Lady 08 - Mississippi Sheiks 09 - Big Guns Disc Two 01 - Out On The Western Plain 02 - Seven Days 03 - Philby 04 - Follow Me 05 - Shadow Play 06 - My Babe 07 - All Around Man - Bullfrog Blues - Roll Over Beethoven - Route 66 Rory Gallagher Group; May 1981 - 1991: Rory Gallagher - guitar, vocals Gerry McAvoy - bass Brendan O'Neill - drums Mark Feltham - harmonica

  • Audience 9.1 - What a find!  This tape exudes raw power, and hearkens back to the original sound and style of the band much more so than what would be just a year and a half later. Does that mean it’s a raw blues rock show?  No, but there is a lot of that here, and more than that it’s the TONE of the band. Gritty, mean, raw but tight…fierce!  The quality of the tape is VERY good…well worth snagging!

    Fleetwood Mac Long Beach Arena Long Beach, CA April 15, 1973 01 Introduction and Tune-Up 02 The Green Manalishi (With The Two Prong Crown) 03 Oh Well 04 Get Like You Used To Be 05 "Land Watch" (Night Watch) 06 Same Old Blues 07 In The Country 08 Rattlesnake Shake

  • Audience 9.0 - A strong recording from what sounds like the center row, maybe halfway back but not as diffuse as you might think for being in that spot. Yes, maybe the guitar and bass aren’t separated the way you would prefer, but this was the sound of Rush in 2015, and on this show it is Geddy’s vocals that receive the most prominence. Overall it’s a very good recording with atmosphere and power.

    Rush Air Canada Centre Toronto, On. Canada 2015-06-17 Disc 1 101 - Intro 102 - The Anarchist 103 - Clockwork Angels 104 - Headlong Flight 105 - Far Cry 106 - The Main Monkey Business 107 - One Little Victory 108 - Animate 109 - Roll the Bones Disc 2 110 - Distant Early Warning 111 - Subdivisions 201 - Intro 202 - Tom Sawyer 203 - Red Barchetta 204 - The Spirit of Radio 205 - Jacob's Ladder 206 - Cygnus X-1 Book II - Hemispheres Part I - Prelude 207 - Cygnus X-1 208 - Closer to the Heart Disc 3 209 - Xanadu 210 - 2112 211 - Encore - Mel's Rock Pile starring Eugene Levy 212 - Lakeside Park 213 - Anthem 214 - What You're Doing 215 - Working Man

  • Soundboard 8.8 - This is a soundboard that is not without flaws, not serious flaws, but indeed somewhat noticeable ones. So, it’s one of those mixes where guitar sounds at times amazing, up front, and gloriously loud…and at others it seems like it was ran through an on-board processor of some kind and ends up more compressed and lower in the mix. Rock The Nation is cut at the tail end of Ronnie’s solo, and the drum intro for I Got The Fire begins, so that was a little bit of a jarring edit that could have been smoother. Overall this is a tape, and show, that will sit nicely in the collection seeing as how there are so few Gamma sdbrds, or live tapes at all.

    Gamma Phoenix Theater Petaluma,CA 30-Nov-1980 01 Ready For Action 6:08 02 Thunder and Lightning 5:39 03 Razor King 11:59 04 Rock the Nation 3:47 05 I Got the Fire 3:56 06 Four Horsemen 7:11 07 No Tears 12:32 Davey Pattison: Vocals Ronnie Montrose: Guitars Jim Alcivar:  Keyboards Glenn Letsch: Bass Denny Carmassi: Drums

  •  Soundboard 9.2 - A “reference” board mix, clearly…but it’s great. It isn’t going to win any awards for sparkling and atmospheric sound, but it’s a punchy, in-the-pocket sound that marries well with Kansas’ heavy progressive style.

    Kansas Springfield Civic Center Springfield, MA. 2nd September 1979 Disc 1 1. Intro 2. On the Other Side 3. People of the Southwind 4. Away From You 5. Point of Know Return 6. Closet Chronicles 7. The Wall 8. Reason To Be 9. Dust in the Wind 10. Angels Have Fallen Disc 2 1. Opus Insert 2. Stay Out of Trouble 3. The Spider 4. Portrait (He Knew) 5. Band Introductions 6. Glimpse of Home 7. How My Soul Cries Out For You 8. Carry On Wayward Son Steve Walsh – keyboards, lead and backing vocals Kerry Livgren – guitars, keyboards Rich Williams – guitars Robby Steinhardt – violin, vocals Dave Hope – bass Phil Ehart – drums

  • Dunstable 1976 Soundboard 9.5 - Every Hawkwind collector surely must have this already in their collection, it’s just too damn good. So few recordings of such an eclectic band, so yeah, this has to be considered a MUST HAVE, and it’s equally cool to find it paired here with another soundboard tape.

    Croyden 1977 Soundboard 9.2 -A respectable board tape, the mix does heavily favor guitar, keys are present more during passages where they are supposed to be in the lead. Vocals are out front, also where they need to be. So, it’s a workable mix, not perfect but definitely good for the casual and hard-core fan.

    Hawkwind UK 1976-1977 Disc 1 Dunstable, UK. 09-30-1976 1. Paradox 2. Chronoglide Skyway 3. Hassan I Sabbah 4. Brainstorm 5. Wind Of Change 6. Steppenwolf 7. Uncle Sam's On Mars 8. Time For Sale 9. Magnu 10. Welcome To The Future Disc 2 Fairfield Hall Croyden, UK. 09-25-1977 1. Brainstorm 2. High Rise 3. Robot 4. Wind Of Change 5. Jack Of Shadows

  • Stereo Soundboard 9.6 - A fantastic and interesting tape, the live mix sometimes pans in stereo giving it a unique flavor. The drums and keyboards are placed superbly in the mix, vocals very strong, but it does lack some low end, not that it is thin or too bright, that is not the problem here at all it’s just that I think the bass may have been so loud through the P.A. that it didn’t need to pass through the board feed so you do hear it but it’s not super deep. Still, a great one for the collection and certainly if you like hard psychedelic rock but the kicker here is the appearance on 4 tracks by John Cipollina.

    Man Keystone Berkeley, CA August 9, 1976 Disc 1 01. -Let The Good Times Roll 02. -7171-551 03. -A Hard Way To Die 04. -The Welsh Connection 05. -Something Is Happening 06. -The Ride And The View 07. -You Are Out Of Your Head 08. -Born With A Future Disc 2 09. -C'Mon 10. -Many Are Called But Few Get Up 11. -Babe, I'm Gonna Leave You* 12. -A Hard Way To Live* 13. -Romain* 14. -Bananas* * with John Cipollina

  • Neunkirchen Audience 8.8 - A large sound, almost feel the sound pressure against your chest on this one! The bass is huge and guitars sit slightly behind creating a sensation of dread, and thankfully the vocals are really placed very nicely in the live sound mix. Definitely the better of the two in this set.

    Boblingen 1983 Audience 8.6 The overall sound here is somewhat average but it's actually slightly clearer than the Neunkirchen show albeit more distant and hollow sounding. It really could use some mid-range boost to bring up the guitars but if you have a good system you can attenuate this to dial in your desired EQ. It's not bad, it's just not quite up to prime time and you'll get more satisfaction from the Neunkirchen show in this set.

    Black Sabbath Germany 1983 Disc 1 Hemmerleinhalle Neunkirchen am Brand, Germany 27th September 1983 1. Supertzar 2. Children Of The Grave 3. Hot Line 4. War Pigs 5. Born Again 6. Supernaut 7. Drum Solo 8. Rock ‘N’ Roll Doctor 9. Disturbing The Priest Disc 2 10. Iron Man 11. The Dark - Zero The Hero 12. Heaven And Hell 13. Guitar Solo 14. Digital Bitch 15. Black Sabbath 16. Smoke On The Water 17. Paranoid - Heaven And Hell(reprise) Disc 3 Sporthalle Boblingen, Germany 28th September 1983 1. Children Of The Grave 2. Hot Line 3. War Pigs 4. Born Again 5. Supernaut 6. Drum Solo 7. Rock’n’roll Doctor 8. Disturbing The Priest Disc 4 9. Iron Man 10. The Dark - Zero The Hero 11. Heaven And Hell 12. Guitar Solo 13. Digital Bitch 14. Black Sabbath 15. Smoke On The Water 16. Paranoid - Heaven And Hell(reprise) 17. Interview with Ian Gillan Ian Gillan – Vocals Tony Iommi – Guitar Geezer Butler – Bass Bev Bevan – Drums Geoff Nicholls – Keyboards
  • Audience 8.7 - An excellent 8.7 too! First off let me just say how blown away I am to find a long lost 1978 recording previously un-circulated and in such great shape! Wow man, this is a fantastic find. The sound is pretty beefy for what sounds like an old tape deck, normally you'd expect something either thin as hell or muddy as crap but it's neither. It lacks a little clarity, but it's maybe near the drums and I can tell you guitar sounds clear (maybe a little thin but bass is pretty solid so it picks up the guitar sound a bit) and Ozzy is situated in the middle and can be heard pretty well. A solid tape that will fit nicely in with your collection.

    BLACK SABBATH City Hall Newcastle-Upon-Tyne, England 1978-05-21
    DISC 1
    1. SUPERTZAR 2. SYMPTOM OF THE UNIVERSE 3. WAR PIGS 4. SNOWBLIND 5. NEVER SAY DIE 6. BLACK SABBATH 7. DIRTY WOMEN
    DISC 2
    1. ROCK-N-ROLL DOCTOR 2. GUITAR SOLO 3. ELECTRIC FUNERAL 4. HAND OF DOOM 5. NIB 6. FAIRIES WEAR BOOTS 7. CHILDREN OF THE GRAVE 8. PARANOID 9. IRON MAN
  • Audience 8.7 All shows appear to have been recorded by the same taper who was diligent to show up to all the Sabbath shows in his town three years in a row. I am impressed with his effort, you can tell he's not an amateur and but for the fact he's not using pro equipment, he most certainly would otherwise have gotten a stellar result. As it is, it's fine but not winning any dynamics awards. What it does deliver is consistent, strong, error-free recordings that you can relax into, and let yourself adjust to what is there because it's certainly not that bad. I started listening to these shows in order to rate them and ended up just letting them play because it's cool to hear this great line-up playing in a far away place away from the glitz and glamour of the metropolis, year-after-year-after-year, and yet deliver a performance no different from one they might have done at, say, Radio City Music Hall or Madison Square Garden.

    Black Sabbath Cornwall Coliseum St. Austell, UK June 24, 1980,Feb. 2, 1981 & Jan. 14, 1982 Disc 1 St. Austell, UK June 24, 1980 1. Intro 2. War Pigs 3. Neon Knights 4. N.I.B. 5. Lonely Is The Word 6. Sweet Leaf 7. Children of the Sea 8. Black Sabbath 9. Heaven and Hell Disc 2 10. Iron Man 11. Guitar Solo 12. Die Young 13. Paranoid 14. Children of the Grave St. Austell Feb. 2, 1981 15. Supertzar 16. War Pigs 17. Neon Knights 18. N.I.B. 19. Children of the Sea 20. Lady Evil Disc 3 21. Black Sabbath 22. Heaven and Hell 23. Iron Man 24. Guitar Solo 25. Die Young 26. Paranoid 27. Children Of The Grave St. Austell, UK. 1982 28. E5150 (Intro) 29. Neon Knights 30. N.I.B. Disc 4 31. Children Of The Sea 32. Country Girl 33. Black Sabbath 34. War Pigs 35. Slippin' Away 36. Drum Solo 37. Iron Man 38. Mob Rules 39. Heaven And Hell 40. Paranoid 41. Children Of The Grave  

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