Non Factory pressed CD’s pro made and housed in deluxe gate fold packages with full artwork on front, back, inside, disc, and spine.
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Soundboard 9.8 - I remember a few of the radio hits this band had, but honestly I never gave them a fair shake. Now I know what I was missing. Damn! At times I even think this band may have studied Frank Zappa, their stage banter is the giveaway. Sound quality is exceptional. 10cc 1975 American Tour Santa Monica Civic Center Santa Monica, California, USA Wednesday November 26th, 1975 Track List: Disc 1 01. Introduction (1:31) 02. Silly Love (4:34) 03. Flying Junk (3:54) 04. Interlude (1:39) 05. Baron Samedi (8:56) 06. Old Wild Men (5:11) 07. Interlude – 1 (2:21) 08. The Sacro-Iliac (2:45) 09. Interlude – 2 (0:49) 10. Somewhere In Hollywood (7:08) 11. Interlude – 3 (1:02) 12. Donna (3:37) 13. Interlude – 4 (0:56) 14. Ships Don’t Disappear in the Night (Do They) (5:18) Disc 2 15. I’m Not In Love (6:34) 16. Interlude – 5 (1:31) 17. The Film of My Love (6:01) 18. Interlude – 6 (1:52) 19. Art For Art’s Sake (6:39) 20. Interlude – 7 (1:01) 21. The Worst Band In the World (3:34) 22. Neanderthal Man (1:27) 23. The Wall Street Shuffle (5:20) 24. Rubber Bullets (12:11) 25. Une Nuit a Paris, Pt- 1 One Night in Paris Pt- 2 The Same Night in Paris (10:33) Line-up: Eric Stewart - vocals, guitars, keyboards; Graham Gouldman - vocals, bass, guitars; Lol Crème - vocals, guitars, pinao, gizmo; Kevin Godley - vocals, drums, percussion; Paul Burgess - drums, percussion -
Audience 8.5 - A decent recording that stays pretty much in the middle of the spectrum in a mildly compressed fashion…so highs are not too high and lows are not boomy. That does take away some of the dynamics of the sound, but at least you get reasonably decent sonic clarity. 10cc Venue: Koseinenkin Hall, Tokyo, Japan Date: 4 Oct 1977 Disc 1 1 -The Second Sitting For The Last supper 2 -You've Got a Cold 3 -Honeymoon With B Troop 4 -Wall Street Shuffle 5 -People In Love 6 -Band intro 7 -Art For Art's Sake 8 -Ships Don't Disappear In The Night (Do They) 9 -I'm Mandy Fly Me 10 -Marriage Bureau Rendezvous 11 -Good Morning Judge Disc 2 1 -Feel The Benefit 2 -Waterfall 3 -The Things We Do For Love 4 -I'm Not In Love 5 -Modern Man Blues Eric Stewart - Vocals, Guitar, Grand Piano & Keyboard Graham Gouldman - Vocals, Guitar & Bass Guitar Rick Fenn - Backing Vocals, Guitar & Bass Guitar Tony O'Malley - Backing Vocals (lead on AFAS), Piano & Keyboard Stuart Tosh - Backing vocals, Drums & Percussion Paul Burgess - Drums & Percussion -
Audience 8.8 - Tapers used good gear, because even though they sound middle of the venue somewhere, it is a strong capture giving nice depth and clarity. So, loads of headroom and atmosphere, a bit far back, but strong, clear, with depth all in all very nice. For those who do not know, this band is an offshoot of Roxy Music featuring Phil Manzanera and Brian Eno (Simon Phillips on drums). -
Audience 8.8/Soundboard 9.3 - Very good audience source for the Philly show, perhaps maybe just somewhat lacking in bottom end and of course it’s denser than the clean channel mix of a board tape or broadcast but for 1984, I don’t know I think it’s pretty good. The Cleveland Agora show is excellent quality. Accept Live 1984 Tower Theater Philadelphia, PA March 3rd 1984 1 -Intro 2 -Fast As A Shark 3 -Restless And Wild 4 -Love Child 5 -Turn Me On 6 -Fight It Back 7 -Princess Of The Dawn 8 -London Leather Boys 9 -Balls To The Wall The Agora Cleveland, OH. March 27th 1984 10 -Losers And Winners 11 -Turn Me On 12 -London Leatherboys 13 -Head Over Heels 14 -Flash Rockin' Man THE BAND Udo Dirkschneider lead vocals Wolf Hoffmann lead guitar backing vocals Herman Frank rhythm guitar Peter Baltes bass backing vocals Stefan Kaufmann drums backing vocals -
SDBRD 8.9 - I would have rated this higher but I am not thrilled with the way it is mixed – to my ears too dry and thin. It is perfectly clear, very bright and slamming though, but I need more “atmosphere” and this recording is a PURE board feed. I mean, it’s awesome don’t get me wrong. -
SDBRD 9.8 - Almost absolutely perfect, like you get both guitars in their own space so you can hear what each player is doing perfectly. This is how I prefer to listen to ACDC! -
Aud 8.5 and PRO RADIO 9.6 - The Brisbane is a raucous, loud, crashing kind of show/recording that gives one a sense of sitting on the side of the stage and watching them. The BBC material is awesome! -
FM Radio 9.4 - Pretty slammin’ stuff here. The band is pretty hot around this time, very confident, with a good set list. Occasional static does make a presence on this tape, but it kind of lurks behind the music rather than over the top of it. -
FM Broadcast 8.8 - Once you get past the first song which has some channel dropouts, it’s all systems go full tilt boogie for reals. This is just flat out awesome! -
Audience 8.6 - A decent capture here, it sure sounds like a master source was used, there’s no tape noise at all and all the highs are perfectly intact. -
Soundboard 9.6 - From the very first notes, you know this one is going to be one helluva ride, and it delivers! -
Soundboard 9.5 - Ass-kicking greatness! -
SDBRD pre-FM source 9.4 - Legendary for the pristine sound quality but let’s not forget that the late 70’s was ACDC at their best. This is one for the books. -
Audience 9.0 - This rating is representing a lot more than strictly audio fidelity, because truth be told it’s more of an 8.7 for sound, but the show, and the crowd, and the atmosphere…simply incredible! It’s also important to note that this show is the last live recording of Bon Scott. -
Audience 8.7 - This is a very bright and clear recording from close to the stage. Loads of electrifying atmosphere – you literally are planted right in between the tapers close to the stage and you really sense that. -
SDBRD 8.8 - A solid one, albeit there’s some tape hiss present, and vocals are a little muddied in the mix but it’s still a really good and anyone can appreciate.