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Audience 8.8/Soundboard 9.3 - Very good audience source for the Philly show, perhaps maybe just somewhat lacking in bottom end and of course it’s denser than the clean channel mix of a board tape or broadcast but for 1984, I don’t know I think it’s pretty good. The Cleveland Agora show is excellent quality. Accept Live 1984 Tower Theater Philadelphia, PA March 3rd 1984 1 -Intro 2 -Fast As A Shark 3 -Restless And Wild 4 -Love Child 5 -Turn Me On 6 -Fight It Back 7 -Princess Of The Dawn 8 -London Leather Boys 9 -Balls To The Wall The Agora Cleveland, OH. March 27th 1984 10 -Losers And Winners 11 -Turn Me On 12 -London Leatherboys 13 -Head Over Heels 14 -Flash Rockin' Man THE BAND Udo Dirkschneider lead vocals Wolf Hoffmann lead guitar backing vocals Herman Frank rhythm guitar Peter Baltes bass backing vocals Stefan Kaufmann drums backing vocals -
Soundboard 9.7 - I give this a stellar and glowing review and consider it an absolute must have for any self-respecting ACDC….no, wait, any self-respecting rock music fan. Why? Because, even though the old tape has an occasional drop out (rarely), it is so fucking electrifying, exciting, and pure that you can’t help but bang your head to it…the entire show! The combination of the superb live mix that maintains 100% live energy, there’s no mixing the life out of this bad boy, and the amazing performance all contribute to must have status. I love how I can hear Malcolm so distinctly, and even the bass notes come through…but the drums, that insistent rat a tat snare just makes this tape a winner bar-none. The bonus concert on disc two is also a board tape, and it has a different feel to it but it is also amazing. Get it man!
ACDC Austin, Texas, USA Erwin Centre October 11, 1985 *Bonus Tracks: Dallas, Texas, USA Reunion Arena October 12, 1985 Disc 1 01 Fly On The Wall 02 Back In Black 03 Shake Your Foundations 04 Dirty Deeds Done Dirt Cheap 05 You Shook Me All Night Long 06 Sin City 07 Jailbreak 08 The Jack 09 Shoot To Thrill 10 Highway To Hell 11 Sink The Pink 12 Whole Lotta Rosie Disc 2 01 Let There Be Rock 02 Hells Bells 03 T.N.T. 04 For Those About To Rock (We Salute You) 05 Back In Black * 06 Shake Your Foundations * 07 Dirty Deeds Done Dirt Cheap * 08 You Shook me All Night Long * 09 The Jack * 10 Shoot To Thrill * 11 Sink The Pink * 12 Let There Be Rock * 13 T.N.T. *
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Soundboard 8.8 - OK, so yeah this board tape is extremely clear but it suffers from the sterility of most board tapes, and when the band is ACDC, you really need that electric atmosphere a rowdy audience provides. I also found this tape kind of missing some “guts”, but, if you want to hear everything, all guitars and drums, vocals (including backing vocals), then you can’t miss with a clean board tape that allows everything to be present. AC/DC B'ginnings Club Shaumberg IL Broadcast Live on WJKL, Elgin IL 1978-09-14 1. -Intro 2. -Live Wire 3. -Problem Child 4. -Sin City 5. -Gone Shooting 6. -Bad Boy Boogie 7. -Rock and Roll Damnation 8. -The Jack 9. -Dog Eat Dog 10. -Rocker 11. -Let There Be Rock -
Audience 8.8 - At first my thought was that this was a recording for a broadcast because even though it sounds like an audience recording, that may just mean that the station used room mics to capture the concert. What tipped me off to the fact that this is indeed just a really good audience tape is the clapping near the mic after the songs. AC/DC Palladium, New York, NY August 24th 1977 1. -Live Wire 2. -Shes Got Balls 3. -Problem Child 4. -The Jack 5. -High Voltage 6. -Whole Lotta Rosie 7. -Baby Please Don't Go THE BAND Bon Scott lead vocals Angus Young lead guitar Malcolm Young rhythm guitar backing vocals Cliff Williams bass backing vocals Phil Rudd drums -
Soundboard 9.9 - This nearly brought me to tears. I always knew this band could reach the highest level of quality, in performance, in tone, in showmanship, and here it is. Yeah, sure, I know what you are thinking: “it’s mid 80’s Aerosmith, it’s the doldrums of rock, it’s a washed up bunch of druggies” but I have to tell you that if this marks a “comeback” then it’s the most amazing comeback I have ever heard. I’ve heard tons of live Aerosmith and I take this show over ALL of them. Just listen to how everyone plays off each other, how well they know each other it's like the magic has returned and they know it. Aerosmith The Orpheum Theater Boston, MA. February 14, 1984 01. -Back In The Saddle 02. -Big Ten Inch Record 03. -Mama Kin 04. -Three Mile Smile - Reefer Head Woman 05. -Lord Of The Thighs 06. -No More No More 07. -Lick And A Promise 08. -Sweet Emotion 09. -Dream On 10. -Sick As A Dog 11. -Walk This Way 12. -Milk Cow Blues - Drums Solo 13. -Toys In The Attic 14. -Train Kept A Rollin' -
Audience 8.4 - They should call this tape “Noise In The Attic” ha ha! Actually, I am being very tough here, it’s a bright tape, it favors high end but is not too screechy…I just need more low end personally. That being said – vocals are in the front here, followed by Joe Perry, so that is crucial to this being a worthwhile listen. Taper has to hide his gear once or twice, so you occasionally hear the inside of his coat. Not too many 1975 period tapes out there, I am thankful for this one…you will be too, especially when the coast is clear and taper brings the mic back out (makes for a really refreshing audio moment!). Aerosmith Hara Arena Dayton, Ohio, U.S.A. May 24, 1975 1. -toys in the attic 2. -S.O.S. (too bad) 3. -somebody 4. -sweet emotion 5. -lord of the thighs 6. -dream on 7. -walk this way 8. -no more, no more 9. -write me 10. -same old song and dance 11. -train kept a rollin' (with drum solo) -
Audience 8.7 - It’s difficult to express sometimes to people who maybe did not start collecting until the digital age what it is like for us old cats to be listening again to a recording we first heard on cassette…and could barely listen to they were so awful, muddy, gen’d down, etc. – and now they show up like maidens to the prom. This old recording sounds like years of mud and grime were wiped away, still not great but man what a difference! The bonus tracks from Anaheim got the same treatment but the original tape was recorded from further back so is not as good as the Detroit, but historically seems more important being that it is with Jeff Beck. I think this stuff here is like finding unpolished diamonds…maybe a little bit dirty but they are invaluable and hold beauty in and of themselves. Aerosmith Cobo Arena Detroit, MI. Dec. 2, 1976 1 -Mama Kin 2 -Write Me a Letter 3 -S.O.S. (Too Bad) 4 -Lick and a Promise 5 -Big Ten Inch Record 6 -Sweet Emotion 7 -Rats in the Cellar 8 -Last Child 9 -Lord of the Thighs 10 -Walk This Way 11 -Sick as a Dog 12 -The Train Kept A-Rollin'- Drum Solo - Batman - Peter Gunn 13 -Get the Lead Out 14 -Toys in the Attic Aerosmith w/Jeff Beck Angel Stadium Anaheim, CA September 12, 1976 16 -Train Kept A Rollin' 17 -I Ain't Got You -
Audience 8.4 - What saves the recording is the fact that it is clear, like virtually no muddiness, although the sound mix itself lacks definition except for Steven and Joe who are like rays of light peering through your window. The drums are good too, all in all it is hard to say this is not a necessity, it may not be but it’s very interesting and certainly of good enough quality to keep you engaged. Aerosmith Aladdin Theatre, Las Vegas, Nevada, U.S.A. November 25, 1977 Steve Tyler - vocals Joe Perry - guitars Joey Kramer - drums Tom Hamilton - bass Brad Whitford - guitars Set list: 01. -Back in The Saddle 02. -Big Ten Inch Record 03. -I Wanna Know Why 04. -Get It Up 05. -Walk This Way 06. -Sweet Emotion 07. -Dream On 08. -Walkin' The Dog 09. -Draw The Line 10. -Same Old Song And Dance 11. -Train Kept A Rollin' -
Audience 8.6 - This is just fascinating. They could have easily billed this show as “The Aerosmith Blues Band” or something because they really were all about playing gritty blues and rock. The guitar work is cleaner and very articulate, it’s quite a revelation to hear them when they were really so conscience of the music, the notes, and not the glam. I was impressed with the sound quality too, this is a certain keeper! AEROSMITH University Of Maine Gorham Campus Gym Gorham ME. September 30th 1973 THE BAND Joe Perry guitar vocals Brad Whitford guitar Steven Tyler vocals harmonica piano percussion Tom Hamilton Bass Joey Kramer Drums SET LIST 1 -Intro 2 -Write Me A Letter 3 -Downtown Baby 4 -Somebody 5 -Son Of Shit - SOS (Too Bad) 6 -Dream On 7 -One Way Street 8 -Walkin' The Dog 9 -Pandora's Box 10 -Train Kept A Rollin' 11 -Mama Kin 12 -Make It 13 -Rattlesnake Shake 14 -Thank You Good Night -
Audience 8.5 - A really fine document of a superb time for the band…young, hungry, full of spit and vinegar and quite frankly at the top of their game. The playing is transcendental, a band completely in sync with each other. The tape is noise free, and while most of the time it sounds a touch on the dull side, it does brighten up and you know it’s probably because the taper got bold and moved closer to the stage. For what it is, it is quite good! Aerosmith Renziehausen Park bandshell McKeesport, PA 10/6/74 01 Introduction - Tuning 02 S.O.S. (Too Bad) 03 Somebody 04 Banter - Tuning 05 Lord of the Thighs 06 Woman Of The World 07 Banter - Tuning 08 Pandora's Box 09 Dream On 10 Same Old Song & Dance 11 Walkin' the Dog 12 Train Kept a Rollin' (with drum solo) Steven Tyler - vocals, harmonica Joe Perry - guitar, vocals Brad Whitford - guitar, vocals Tom Hamilton - bass Joey Kramer - drums -
Soundboard 8.8 - This tape exhibits some compression characteristics but is overall clear enough to enjoy. It doesn’t favor any one particular frequency, and does not have a large amount of bottom end. The sound resides mostly in the mid range, but it suits this style of music and that is why I found it to be just fine. Aerosmith 19840831 Oakland, CA The Coliseum Disc 1 01. Back In The Saddle 06:03 02. Mama Kin 04:07 03. Bone To Bone 03:09 04. Big Ten Inch Record 04:20 05. Three Mile Smile 04:20 06. Reefer Head Woman 01:13 07. Lord Of The Thighs 07:32 08. Last Child 03:37 09. Get The Lead Out 04:30 10. Red House 06:29 Disc 2 11. Lightning Strikes 04:36 12. Same Old Song And Dance 06:31 13. Dream On 05:35 14. Sweet Emotion 06:49 15. Walk This Way 04:47 16. Milk Cow Blues 05:28 17. drum solo 05:52 18. Toys In The Attic 06:10 19. Train Kept A-Rollin' 06:00 ________ 01:37:08 -
Studio 9.0-9.4 - Varies as far as the overall sound and mix but does not stray much below a solid 9.0…but man what you are getting here is bona fide Aerosmith and NOT the dressed up, slicked out, packaged presentation of Aerosmith that the record company needed in order to make vast profits. This is down and dirty, raw, primal, and above all – fantastic! To hear unadulterated guitars, guttural, almost fuzz style bass, and howling, tortured Steven, and this is 1987 mind you! How can it be? I don’t know but this set rocks! Pandora's Leftover Permanent Vacation Sessions Little Mountain Studios Vancouver, Canada March 1, 1987 1 -Joey Kramer Drum Solo 2 -Toys In The Attic 3 -Train Kept A Rollin' (Instrumental) - Girl Keeps Coming Apart (Rehearsal, Instrumental) -
Studio 9.0-9.4 - Varies as far as the overall sound and mix but does not stray much below a solid 9.0…but man what you are getting here is bona fide Aerosmith and NOT the dressed up, slicked out, packaged presentation of Aerosmith that the record company needed in order to make vast profits. This is down and dirty, raw, primal, and above all – fantastic! To hear unadulterated guitars, guttural, almost fuzz style bass, and howling, tortured Steven, and this is 1987 mind you! How can it be? I don’t know but this set rocks! Aerosmith Permanent Vacation Outtakes 1987 Disc 1 1. Heart's Done Time (early studio rehearsals AKA Right Key, Wrong Key Hole) 2. Magic Touch (early demo version) 3. Magic Touch (final pre-production with different lyrics) 4. Rag Doll (final pre-production with different lyrics and solo) 5. Simoriah (final pre-production) 6. Simoriah early demo version) 7. Dude (looks like a lady) (final pre-production without intro) 8. Dude (looks like a lady) (early demo version with different lyrics) 9. Dude (looks like a lady) (early studio rehearsals) 10. Dude (looks like a lady) (original working demo version) 11. St. John (final pre-production) 12. St. John (early demo version) 13. St. John (early studio rehearsals) Disc 2 1. Hangman Jury (early studio rehearsals) 2. Girl Keeps Coming Apart (final pre-production) 3. Girl keeps coming apart (early studio sessions without vocals) 4. Girl keeps coming apart (early studio rehearsals without vocals) 5. Angel (original working demo version) 6. Permanent vacation (final pre-production) 7. Permanent vacation (early demo version) 8. I'm Down (final pre-production) 9. Got To Find A Way (original working demo version including "The movie") 10. Got To Find A Way (early studio rehearsals) Disc 3 1. Walking On Danger Street (original working demo version) 2. Walking On Danger Street (early studio rehearsals) 3. Feel The Pain (original working demo version AKA Sleeping Sickness and Scream In Pain) 4. Feel The Pain (final complete demo version) 5. Hollywood (early studio rehearsals) 6. Hollywood (original working demo version) 7. Funky Thing (original working demo version) 8. Funky Thing (Joe's Funky early demo version) 9. Once Is Enough (original working demo version) 10. Love Me Like A Bird Dog (original working demo version) 11. Love Me Like A Bird Dog (early studio rehearsals) 12. Take It Easy (early studio rehearsals) 13. Is Anybody Out There? (early studio rehearsals) -
Philadelphia 1983 Audience 8.8 - This tape is very “live” sounding, especially the drums which seem to cascade around your head with Tyler being just slightly above the fray although the enunciation is not that great. Guitars are somewhat in back of things, so really on this tape it’s Tyler and Kramer leading the way in the mix. The good thing about this tape is that it is sharp and clear, the separation of instruments is not so much but at least it’s not muddy. I think Tyler is performing as well as he was capable…take it for what it’s worth but he’s good on this night. Ventura 1983 Audience 9.0 - A really good tape that captures quite the disaster of a gig…poor o’l Steven Tyler – lost his stage mate and now has to carry the weight on his own and man…slow motion train wreck on this night. I think this show is the musical equivalent of rubbernecking ‘cause you just can’t turn away you are drawn like a moth to the flame to hear Tyler royally butcher a rock and roll show. AEROSMITH The Spectrum Philadelphia, PA February 14th 1983 Disc 1 1 -Intro 2 -Back In The Saddle 3 -Mama Kin 4 -Big Ten Inch Record 5 -Three Mile Smile 6 -Reefer Head Woman 7 -Rock In A Hard Place (Cheshire Cat) 8 -Lord Of The Thighs 9 -Lick And A Promise 10 -Sweet Emotion 11 -Dream On 12 -Lightning Strikes 13 -Walk This Way 14 -Milk Cow Blues 15 -Drum Solo Disc 2 16 -Toys In The Attic 17 -Train Kept A Rollin' Ventura County Fairgrounds Ventura, CA August 3, 1983 3. -Psycho - Tyler Introduction 4. -Back in the Saddle Again 5. -Big Ten Inch Record 6. -Mama Kin 7. -Three Mile Smile 8. -Reefer Head Woman 9. -Lord of the Thighs 10. -No More No More 11. -Minister Tyler Preaches 12. -Sweet Emotion 13. -Walk this Way 14. -Toys in the Attic THE BAND Steven Tyler vocals harmonica percussion Tom Hamilton bass backing vocals Joey Kramer drums Jimmy Crespo guitar backing vocals Rick Dufay guitar Bob Mayo keyboards -
Audience 8.2 - A scrappy document, immersed in the audience, band playing a large hall…but thankfully I can hear everything. Not much clarity when they are at full swing but I would say this tape still has its charms and collectors, if they don’t have it, may want to add it to the collection. Incidentally the band returned again to play Philly later the same year, and that show exists and is pretty decent sounding. Aerosmith The Spectrum Philadelphia PA October 9, 1977 -Back In The Saddle -S.O.S. (Too Bad) -Big Ten Inch Record -I Wanna Know Why -Lord Of The Thighs -Lick And A Promise -Get It Up -Walk This Way -Sweet Emotion -Dream On -Dream on cont'd -Walkin' The Dog -Sick As A Dog -Draw The Line -Same Old Song And Dance -Train Kept A Rollin' -Get The Lead Out Notes: The band out on their "Draw The Line" tour playing new tunes before the record was out! Ah the old days! Band debuts "Get It Up" here, a whip-cracker of a tune...In fact that whole Draw The Line album rocks. People slag on it, but that "first side" is pure rock and roll genius, just has a flow and the rest is good too. If that LP came out today, people would shit their pants in joy. But I digress...this show is from the taper and solid quality. This is the show where Tyler and Perry got hit with an M-80 as they returned for the encore, so alas, there is no encore. But we also do not hear any fireworks blast as the tape simply shuts off after the Train Kept A Rollin'/Get The Lead Out jam. The band would return to the same venue just weeks later. -
Audience 8.5 - A fun recording to listen to, the quality is decent enough to where you can really dive in and not get fatigued at all…because let me tell you these guys really rocked out at this gig. If they were coked to the gills or drunk or whatever, I mean, I just don’t hear that. I hear a good hard rockin’ band! Band: Aerosmith Title: Reading Festival Date: August 27, 1977 Venue: Reading Festival, Reading, England 1 -Mama Kin 2 -S.O.S. (Too Bad) 3 -Big Ten Inch Record 4 -Lord Of The Thighs 5 -Lick And A Promise 6 -Dream On 7 -Walk This Way 8 -Draw The Line 9 -Same Old Song And Dance -
Soundboard 9.8 - A professionally made recording that saw a digital only release. This takes that stellar download and presents it in uncompressed, lossless form for you to enjoy. Nothing quite like this mesmerizing blend of Eastern trance psychedelic and Krautrock, the band never lost a step and sound like they traveled through a worm hole in time/space to leap from 1974 to 2013.Agitation Free Kesselhaus Berlin, Germany April 3, 2013 Disc 1 1. -You Play For Us Today 06:37 2. -Sahara City 03:47 3. -In The silence Of The Morning Sunrise 06:36 4. -Shibuya Nights 08:13 5. -First Communication 06:03 6. -Dialogue & Random 02:23 7. -Ala Tul 06:46 8. -Laila 08:38 Disc 2 9. -Nomads 08:02 10. -A Quiet Walk 07:41 11. -Das kleine Uhrwerk 05:15 12. -Malesch 05:27 13. -Drifting 03:34 14. -Rücksturz 05:56 15. -InDaJungl 08:39 16. -Interstellar Overdrive 07:34
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Audience 9.8 - Your ears will be telling you this HAS to be a soundboard, then the song ends and you hear the audience right next to you and you say to yourself “thank goodness I picked this one up” yes even though it’s an audience tape it will BLOW YOUR MIND it’s so good. Al Di Meola Long Beach Arena Long Beach, CA May 26, 1978 01 Egyptian Danza 02 Chasin’ The Voodoo 03 Dark Eye Tango 04 Short Tales Of The Black Forest 05 Fantasia Suite For Two Guitars 06 Señor Mouse 07 Midnight Tango 08 Band Introduction 09 The Wizard -
FM Broadcast 9.6 - Beautifully preserved, this recording sparkles! A Must Have if you are into high level jazz fusion. Al Di Meola Paramount Theatre Seattle, WA May 21st 1978 KZAM FM Broadcast THE BAND Al DiMeola electric and acoustic guitars Phillippe Saisse keyboards and marimba Vlodek Gulgowski keyboards Tim Landers bass Eddie Colon timbales and percussion Robbie Gonzalez drums SETLIST 1 -KZAM Phone in Interview with AL 2 -KZAM Intro 3 -Egyptian Danza 4 -Chasin' the Voodoo 5 -Dark Eye Tango 6 -Short Tales of the Black Forest 7 -Fantasia Suite 8 -Señor Mouse 9 -Midnight Tango 10 -The Wizard 11 -Thank you Goodnight -
Soundboard 9.5 - Crisp, intimate, warm, inviting sound. It’s like, I don’t know, being there or something (cliché but true). Al DiMeola El Mocambo Toronto, Ontario, Canada June 17, 1977 1. -Mediterreanean sundance 3:58 (3:49) 2. -flight over Rio 7:28 (7:11) 3. -midnight tango 7:57 (7:39) 4. -percussion and drum solos 6:58 (6:42) 5. -elegant gypsy 12:29 (12:01) 6. -band introductions 2:10 (2:05) 7. -the wizard 11:45 (11:18) 8. -race with the devil on the Spanish highway 10:23 (9:57) Al DiMeola- guitar Stu Goldberg- keyboards Eddie Colon- timbales and percussion Lee Pastora- congas Eric McCann- bass Chuck Burgi- drums -
Audience 9.1 - Small club vibe permeates this very intimate recording as Al sings his songs with a crack band behind him…often chatting it up with the audience who responds in kind. As I listened, I could not help but think this music really reminds me of Lou Reed, with less bratty New York attitude and more gay San Francisco. Al Stewart Band Wolfgangs San Francisco, Ca. 1983-08-11 01. -Unknown Title 02. -Unknown Title 03. -Time Passages 04. -Cafe Society 05. -Almost Lucy 06. -Rumours of War 07. -Intros - On The Border 08. -Accident On 3rd Street 09. -Valentino Way 10. -Intros - Year Of The Cat 11. -End of the Day 12. -If It Doesn't Come Haturally Leave It 13. -Paint By Number Al Stewart: vocals, guitars Peter White: guitars, keyboards, bass Adam Yurman: bass, guitars Kaz: Alto sax, keyboards Steve Chapman: drums -
FM Broadcast 9.8 - Frighteningly great, as in near prefect sound mix, beautiful tonal qualities, excellent performance, and plenty of raw power and sheer brilliance on display. Quite frankly, Yngwie era Alcatrazz blows away the Vai period by miles, and I am not an Yngwie geek either. It’s just he’s that good here.Alcatrazz Country Club Reseda CA March 29TH 1984 1 -Jim Ladd Intro 2 -Too Young To Die 3 -General Hospital 4 -Kree Nakoorie 5 -Island In The Sun 6 -Evil Eye 7 -Jim Ladd 8 -Since You've Been Gone 9 -Hiroshima Mon Amour 10 -Jim Ladd 11 -Suffer Me 12 -Desert Song 13 -Jet To Jet 14 -Jim Ladd THE BAND Graham Bonnet lead vocals Yngwie Malmsteen guitar Jimmy Waldo keyboards backing vocals Gary Shea bass backing vocals Jan Uvena drums backing vocals
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Audience 8.6 -A sonic blast not held back by some of the typical limitations such as the actual venue itself which is notorious for sounding more like a gymnasium than a concert hall. Tape cannot be faulted for being muddy, it’s not very clean, but that is due to proximity to PA and unprofessional gear. That being said, the tape scores high in terms of sheer electricity and fun…once your ears adjust, yeah, but what a ride! Band did not know they were being taped by someone so I guess this is a pretty honest performance. They sound very primitive, underground, gritty…and I guess that is why Cooper made changes because perhaps that style and sound was getting outdated on such a large caliber tour. Personally, I much prefer this honest, maybe if a bit more crude, band sound. Alice Cooper Boston Garden Boston, Massachusetts March-26-1973 the band alice cooper vocals michael bruce guitar glen buxton guitar dennis dunaway bass neal smith drums 1 -intro - tune up 2 -hello hooray 3 -billion dollar babies 4 -elected 5 -im 18 6 -raped and freezing 7 -no more mr nice guy 8 -my stars 9 -unfinished sweet 10 -I Love The Dead 11 -schools out 12 -under my wheels 13 -god bless america -
Studio Quality 8.9 - The quality is great but you have to get past the first song and a half as there is some static present. Once you move past those tracks you get some very interesting studio rehearsals and outtakes. I love the rawness here, it’s very visceral and powerful. ALICE COOPER Studio Outtakes Killer and Muscle Of Love album 01. Desperado 02. Be My Lover 03. Killer 04. Halo Of Flies 05. You Drive Me Nervous 06. You Drive Me Nervous Part 2 07. Man With The Golden Gun 08. Teenage Lament 09. Woman Machine 10. Never Been Sold Before 11. Muscle Of Love 12. Muscle Of Love Part 2 13. Workin Up A Sweat 14. Babe Please Don't Stop 15. Hard Hearted Alice -
Audience 8.8 - This rates highly as a new audio tape discovery from decades ago you might have low expectations but it’s a good, clear (but for Alice being a little low in the mix) and I would say powerful show in sound and performance. Alice Cooper Circus Krone Munich, Germany November 15 1972 01 Public Animal #9 7:52 02 Caught In A Dream 1:39 03 Under My Wheels 1:47 04 Be My Lover 2:36 05 I'm Eighteen 7:34 06 Is It My Body/My Very Own 8:37 07 Halo of Flies 11:26 08 Gutter Cat vs the Jets 5:55 09 Street Fight 6:13 10 Killer 10:18 11 Elected 6:54 12 School's Out 12:20 -
FM Broadcast 8.8 - A tape that sounds…1978. That doesn’t mean it’s bad at all, it’s just a rather dated sounding broadcast to my ears. That means it kind of captures the time period rather well, and the quality itself is pretty good, but not exhibiting the usual dynamic of an FM broadcast. Not enough 1978 era tapes of excellent quality though, so grab this one. ALICE COOPER Wendler Arena Saginaw, Michigan May 10th 1978 K.B.F.H. / WBCN FM Broadcast Aired July 9th 1978 1 -Ad For The Show 2 -WBCN Promo 3 -K.B.F.H.Intro 4 -Under My Wheels 5 -Billion Dollar Babies 6 -I'm Eighteen 7 -Is It My Body 8 -Devil's Food 9 -The Black Widow 10 -You and Me 11 -Only Women Bleed 12 -Escape 13 -I Never Cry 14 -It's Hot Tonight 15 -Lace & Whiskey 16 -School's Out 17 -Band Intro's and Solos - School's Out (reprise) 18 -K.B.F.H. THE BAND Alice Cooper vocals "The Cornhuskers" Jefferson Kewley guitar Davey Johnstone guitar Dee Murray bass Dennis Conway drums Fred Mandel keyboards -
Soundboard 8.8 - A very old sounding tape that received a recent “facelift” giving it some more punch while reducing tape noise (without compromising any high end). What you end up with is another very good early performance (whilst the band was still doing some Pretties For You numbers) in very good quality. I never get tired of the early Alice Cooper stuff, even if I still don’t understand “Sun Arise” ha ha! Alice Cooper Paramount Theatre Seattle, WA, USA July 10, 1971 01 Intro (1:37) 02 Sun Arise (5:07) 03 Caught In A Dream (2:49) 04 I'm Eighteen (5:32) 05 Is It My Body (8:14) 06 Second Coming (2:40) 07 Ballad Of Dwight Fry (7:33) 08 Black Juju (9:50) Vincent Furnier (Alice Cooper) - Lead Vocals, Harmonica Glen Buxton - Lead Guitar Michael Bruce - Rhythm Guitar, Keyboards, Backing Vocals Dennis Dunaway - Bass Guitar, Backing Vocals Neal Smith - Drums, Backing Vocals -
Soundboard 9.2 - A lot of free form jamming here, what they call Mountain Jam is really made up of some improvisation before the band goes off into this more structured jam, and the show is a little condensed but sounds like it is much longer than it actually is. THE ALLMAN BROTHERS BAND Columbia HS Auditorium Decatur, GA May 23, 1970 1. Mountain Jam Intro 2. Drums 3. Berry Bass Solo 4. Mountain Jam 5. Will The Circle Be Unbroken 6. Bo Diddely / Spacy Jam 7. Mountain Jam 8. Rock & ROll Jam 9. Mountain Jam Finale 10. Encore Intro 11. Don't Want You No More 12. Not My Cross To Bear Duane Allman - guitar Gregg Allman - organ, vocals Dicky Betts - guitar Berry Oakley - bass Butch Trucks - drums Jai Johanny Johanson - percussion -
Soundboard 9.3 - This is a rough and tumble sort of board tape. Obviously never meant to be used in any official release, but it does certainly get the job done regardless. Very definitive instrument separation so you can concentrate on any instrument you want and you will get maximum information out of it – until you choose another one and then you will get stuck on that one. THE ALLMAN BROTHERS BAND - Fillmore West, San Francisco January 29, 1971 1. Statesboro Blues 2. Trouble No More 3. Don't Keep Me Wonderin' 4. In Memory of Elizabeth Reed 5. Midnight Rider 6. Dreams 7. You Don't Love Me 8. Whipping Post Greg Allman - organ, vocals; Duane Allman - guitar; Dicky Betts - guitar; Berry Oakley - bass; Butch Trucks - drums; Jai Johanny Johanson - percussion -
Chicago 1971 FM Radio broadcast 8.9 - Some generation loss and general passing of time has degraded the sound slightly but this version received a “freshening” which helps a lot. So, it’s a bona fide solid addition to anyone’s collection. Memphis 1971 Audience 8.3 - I had the luxury of being able to hear this tape before it was remastered and that would be the only way you can really appreciate how that simply removed what sounded like a layer of muck and grime, and revealed a shimmering sound that leapt out of the speakers… I am talking of course about Duane’s guitar. So, if you want to appreciate again what the guitar playing of Duane Allman was really all about then this recording will still cause shivers down your spine. Is it a great recording? Not really, but there’s something here that still pulls you in (mainly it’s Duane). Austin 1971 Soundboard 9.0 - A tape that, while incomplete (some songs fade in and fade out, mainly the first and last) still has to be carefully considered when examining the few remaining live recordings featuring Duane. There’s always something interesting and, hmmm, maybe even a little mystical about these vintage recordings. Allman Brothers Band Live Collection 1971 Disc 1 WXRT Chicago, IL, 1971 1. Statesboro Blues 2. Trouble No More 3. Don't Keep Me Wonderin' 4. Done Somebody Wrong 5. One Way Out 6. In Memory of Elizabeth Reed 7. Stormy Monday 8. You Don't Love Me Disc 2 Chicago Cont'd 1. Hot 'Lanta 2. Whipping Post Overton Park Memphis, TN May 9, 1971 3. Statesboro Blues 4. Trouble No More 5. Don’t Keep Me Wonderin’ 6. Done Somebody Wrong 7. One Way Out 8. In Memory of Elizabeth Reed Disc 3 Memphis Cont'd 1. Dreams 2. Stormy Monday 3. You Don’t Love Me Municipal Auditorium Austin, TX September 28, 1971 4. Statesboro Blues 5. Trouble No More 6. Done Somebody Wrong 7. One Way Out 8. In Memory of Elizabeth Reed 9. Hot ‘Lanta -
Soundboard 9.1 - Fantastic! I’ve always known there was something recorded at the famous Whiskey-A-Go-Go by the band but had never run across it until now. It’s a nice and relaxed show with great guitar interplay (as usual) and tight backing (listen to Berry’s bass solo it’s on point). THE ALLMAN BROTHERS BAND Whiskey A-Go-Go Los Angeles, CA January 24, 1970 1. Don't Keep Me Wonderin' 2. Stormy Monday 3. In Memory Of Elizabeth Reed 4. Trouble No More 5. Dreams 6. Mountain Jam
